Monday, June 8, 2009

Tanuja's success in bollywood films and bengali films.







Tanuja’s success in bollywood films and Bengali films.

Tanuja, the sister of dignified actress Nutan and the daughter of Sobhna Samarth created a unique place in bollywood films and Bengali films. Being the member of a family having legacy of contributing a lot in bollywood films, she had to face acid test.

In the 60s, when bollywood industry was flooded with talented actresses, Tanuja stepped in bollywood films. She had faced Meena Kumari, Madhubala, Wahida Rehman, Sadhna, Vaijayantimala and other classic actresses and yet created her identity in that age.

Tanuja’s prominent films in the 60s include Baharen Phir Bhi Ayegi, with Dharmender, Memdidi, Sapno Ka Saudagar, opposite Raj Kapoor, etc. Within 3 to 4 years, she was cast opposite leading actors of bollywood films. Her performance opposite Dev Anand, in the film Jewel Thief was appreciated by film-lovers.

Jewel Thief was crime-thriller director by Vijay Anand. Tanuja’s innocence in the film and spontaneous presence impressed the viewers. Besides Tanuja’s lips in Ahsa Bhosle’s song “raat nashili hai” was very impressive.

In the early 70s, Tanuja switched on to serious films like Basu Bhattacharya’s Anubhav opposite Sanjeev Kumar. Her lips in Geeta Dutt’s song “mera dil jo mera hota” and other songs showed the acting class of Tanuja. She did even better in Dharmender’s film Izzat. Dharmender had double role with one son being the illegitimate child of Balraj Sahani. Her performance in the song “loote dil pe diya jalta nahi hum kya Karen” sung by Lata and Rafi made viewers spellbound. She was equally impressive in the film Pabitra Papi.

Tanuja was involved in super hit films like Haathi Mera Saathi opposite Rajesh Khanna, Mere Jeevan Saathi opposite Rajesh Khanna, Ek Paheli, opposite Feroz Khan, to name a few.

In respect of Bengali films, Tanuja showed a great spirit in adapting Bengali language and adjusting herself opposite Uttam Kumar in the 60s and 70s. Deya Neya, Anthony Firingi and Raj Kumari stands out as the biggest hits of Tanuja opposite Uttam Kumar. All these films were musical blockbusters and the lips of Tanuja in leading songs in these films require special mention.

Shyamal Mitra composed music for the super hit film Deya Neya. Tanuja was sublime in her lips in the song “madhabi madhute holo mitali”. She was brilliant in the two songs of Sandhya Mukherjee in the film Anthony Firingi, titled “ami je jalsaghare”, and “champa chameli golapero bage”, composed by Anil Bagchi. Raj Kumari marked the beginning of musical career of Bengali musical sensation RD Burman. Songs like “ki holo, kabe holo” creates shivers in the spines of many listeners even today.

Tajuna was sublime in other successful films like Prothom Kodom Phool, Teen Bhubaner Pare, Madhuban, etc. She is considered more versatile than her daughter Kajol who got success by performing opposite Shahrukh Khan in hit films in the 90s. The viewers expect her to continue the great work in character roles in bollywood films in future.

Sunday, June 7, 2009

Review of Bengali film Deya Neya.











Review of Bengali film Deya Neya.

Deya Neya stands out as Uttam Kumar’s one of the biggest hit films in his career. The film was released in 1963. The story was related to the life of a talented singer whose father, being an industrialist never wanted his son to pursue his musical career.

Kamal Mitra played the role of the father of Uttam Kumar in the film. Uttam Kumar left his father’s home in Lucknow and returned to Kolkata. He was known by the outside world with the identity Abhijit Choudhury, a successful singer. He came to Kolkata and worked as driver cum mechanic in Pahari Sanyal’s house. Tanuja was the relative of Pahari Sanyal and interacted with Uttam Kumar in relation to the cars they had.

Although Uttam Kumar was known with the identity Abhijit Choudhury, he never performed in public function, so his face was unknown to the listeners. Tanuja and her friend Sumita Sanyal were also fans of Abhijit Choudhury, but both of them could not recognize Uttam Kumar. Uttam Kumar took shelter in Tarun Kumar’s house, a friend of him and Lili Chakravarty, his wife attended Uttam Kumar like his own brother’s wife.

As the lyricist of Uttam Kumar’s songs played by Premangshu, was suffering from serious sickness, Uttam Kumar organized a musical program at the end of the film and appeared before the crowd in a charity show. His identity was revealed and Kamal Mitra, his father took him back after marrying Tanuja.

The music of the film was extraordinary. Shyamal Mitra’ s composition touched the hearts of millions of music lovers all across the country. Shaymal Mitra’s own songs “jiban khatar proti patay”, “ami cheye cheye dekhi saradin”, “ganer bhubon bhariye debo”, made the viewers speechless. The duet song “dole dodul dole jhulona” sung by Manobendra Mukherjee and Shyamal Mitra stands out as one of the greatest duet songs of the last 50 years.
Deya Neya was remade in hindi with the title Anurodh. Rajesh Khanna, Vinod Mehra and Simple Kapadia had the lead roles. But they miserably failed to level the standard of excellence attained by Uttam Kumar in Deya Neya.

Deya Neya should be preserved for the young generations who had not seen the romantic andaz of Uttam Kumar during the golden age of Bengali cinema, that is the 50s and 60s.

Saturday, June 6, 2009

Vidya Balan and Sanjay Dutt.


Vidya Balan and Sanjay Dutt.

Bollywood industry had seen different types of pairs during the last 60s years. Raj Kapoor and Nargis were sublime during the black and white era, when most of film shooting used to take place within studios. Dilip Kumar and Vaijayantimala’s films started during black and white era and continued during the era of coloured films. Films like Leader had locations, rich music, powerful dance sequences, etc. in addition to online chemistry of Dilip Kumar and Vaijayantimala.

Sanjay Dutt and Vidya Balan form one type of such an unique pair who had been accepted by the viewers of bollywood films. Sanjay Dutt got the scope of performing opposite Vidya Balan at middle-age as opposed to his performance opposite Madhuri Dixit in during his young age in films like Thanedaar, Saajan, Khalnayak, etc.

In Pradeep Sarkar’s Parineeta, Sanjay Dutt’s role was based on the character of a middle aged person who was considerate about the family of Parineeta. Although Vidya Balan was attached with Saif Ali Khan according to the classic literature of Sarat Chandra Chatterji, Sanjay Dutt’s contribution was even greater in the film than Saif Ali Khan. All the songs in the film composed by Shantanu Moitra ended up being super hit, including Sonu Nigam and Shreya Ghoshal’s song “piyu bole”.

Lage Raho Munnabhai was probably the greatest hit film of Sanjay Dutt in his entire career. He was a bhai ( underworld don) who pretended to be a Professor and impressed Vidya Balan who was attached to an old-age home. He impressed her with his knowledge on Gandhiji. Mahatma Gandhi’s soul instructed Sanjay Dutt to follow his path related to ahimsa.

The romance in the film was related to matured level of understanding. Sonu Nigam’s song “pal pal pal pal pal pal”, was a landmark hit. After that song Vidya Balan slapped Sanjay Dutt after reading the letter where he mentioned that he was not a Professor. The film with Vidya Balan forgiving Sanjay Dutt for the lies he said to her.

The viewers are looking forward to more films of Vidya Balan with Sanjay Dutt, as the pair had shown matured level of performance which touched the hearts of millions of viewers all across the world. Sanjay Dutt these days had restricted himself in acting in action films, so if he signs romantic films, the producers and directors should think about Vidya Balan who suits him better than any other actress of bollywood industry.

Review of Salaam-e-Ishq.

Review of Salaam –e –ishq.

The viewers of bollywood films had witnessed probably the biggest form of multi-starrer film in the form of Salaam-e –Ishq. Multi-starrer films generally used to be considered as films having two or more actors or actresses. Salaam –e-Ishq had much more number of performers than two or three.

Salman Khan was paired with Priyanka Chopra with the character Rahul. Priyanka Chopra was an aspiring actress. She required a scandal which could create her fame. After that she would have got the scope of acting in Karan Johar’s film. Salman Khan artificially created the love story between him and Priyanka Chopra and made the fans realize that he had an affair with the star and then left her. By the time the playacting was over, Priyanka Chopra fell in love with Salman Khan.

Vidya Balan lost her memory after meeting with an accident and never recognized her husband John Abraham. John’s parents never accepted Tehzeeb, the character of Vidya Balan as she was a muslim. At the end of the film both of them agreed to live with each other inspite of failing to retain her memory. Govinda, the tax-driver in the film fell in love with an American woman who travelled in his taxi. She came to marry her Indian boyfriend but realized that he had married an Indian woman.

Sohail Khan and Isha Kopikaar’s love story showed semi-rural form of romance. Every time they came close to each other they faced obstacle in form or the other. Akshay Khanna declined to marry Ayesha Takia at the beginning of the film, to avoid the responsibilities of married life. After he realized that it was his wrong conception he agreed to marry her. Anil Kapoor, a middle-aged person got attached with a young dance teacher. His closeness with the dance teacher created distance with his wife Juhi Chawla. At the end of the film the relation was revived after Anil Kapoor repented for his wrongdoing.

The biggest asset of the film included its music composed by Shankar Ehsaan Loy. The songs “yah rabba, de de koi pyar bhi agar” sung by Kailash Kher, “tenu le” and “teri ankho ki mastani kajal jo mera salaam” sung by Sonu Nigam stormed bollywood after the release of the film. In fact all the songs were extremely successful.

The other factor which was new was the acceptance of six romantic stories of six heroes and heroines together. The exotic locations used in the film also require special mention. Film makers should get inspired by films like Salaam-e-ishq to make similar types of entertaining films in future.

Review of Salaam-e-Ishq.




Review of Salaam –e –ishq.

The viewers of bollywood films had witnessed probably the biggest form of multi-starrer film in the form of Salaam-e –Ishq. Multi-starrer films generally used to be considered as films having two or more actors or actresses. Salaam –e-Ishq had much more number of performers than two or three.

Salman Khan was paired with Priyanka Chopra with the character Rahul. Priyanka Chopra was an aspiring actress. She required a scandal which could create her fame. After that she would have got the scope of acting in Karan Johar’s film. Salman Khan artificially created the love story between him and Priyanka Chopra and made the fans realize that he had an affair with the star and then left her. By the time the playacting was over, Priyanka Chopra fell in love with Salman Khan.

Vidya Balan lost her memory after meeting with an accident and never recognized her husband John Abraham. John’s parents never accepted Tehzeeb, the character of Vidya Balan as she was a muslim. At the end of the film both of them agreed to live with each other inspite of failing to retain her memory. Govinda, the tax-driver in the film fell in love with an American woman who travelled in his taxi. She came to marry her Indian boyfriend but realized that he had married an Indian woman.

Sohail Khan and Isha Kopikaar’s love story showed semi-rural form of romance. Every time they came close to each other they faced obstacle in form or the other. Akshay Khanna declined to marry Ayesha Takia at the beginning of the film, to avoid the responsibilities of married life. After he realized that it was his wrong conception he agreed to marry her. Anil Kapoor, a middle-aged person got attached with a young dance teacher. His closeness with the dance teacher created distance with his wife Juhi Chawla. At the end of the film the relation was revived after Anil Kapoor repented for his wrongdoing.

The biggest asset of the film included its music composed by Shankar Ehsaan Loy. The songs “yah rabba, de de koi pyar bhi agar” sung by Kailash Kher, “tenu le” and “teri ankho ki mastani kajal jo mera salaam” sung by Sonu Nigam stormed bollywood after the release of the film. In fact all the songs were extremely successful.

The other factor which was new was the acceptance of six romantic stories of six heroes and heroines together. The exotic locations used in the film also require special mention. Film makers should get inspired by films like Salaam-e-ishq to make similar types of entertaining films in future.

Tuesday, June 2, 2009

Hilary Duff - Family

Hilary DuffHilary Duff was born in Houston, Texas on September 28, 1987.

Hilary Duff is the 2nd child of Susan Colleen (née Cobb) and husband Robert Erhard Duff.

Hilary Duff's mother is a homemaker and a film producer.

Hilary Duff's father is a partner in a chain of convenience stores, who resides at the family home in Houston to maintain the family's convenience store business.

Hilary Duff has an elder sister, Haylie Duff. Haylie Duff is also an actress/singer.

Monday, June 1, 2009

Akshay Kumar requires a hit very soon.


Akshay Kumar requires a hit very soon.

Akshay Kumar, the action star of bollywood film industry, requires a hit film very soon. He was at the top of the world during the release of the film Singh is Kinng.

He gave the maximum income tax to the Government in 2008, and due to his films becoming hit one after the other like Namaste London, Welcome, Singh is Kinng, he reached the summit of his career.

Although Katrina Kaif is credited for most of the hit films of Akshay Kumar, there is no shadow of doubt, that Akshay Kumar’s hard work was rewarded. He initially started his career with action films.

His combination with Sunil Shetty used to be considered to be one of the leading combinations which brought a new dimension to bollywood films. The hit films with the deadly combination included Mohra, Dhadkan, etc.

But with the success of comedy films in the last few years, both Akshay Kumar and Sunil Shetty changed styles and signed comedy films. The result was history. There films Hera Pheri and Phir Hera Pheri blasted bollywood with the success. In fact the combination of Akshay Kumar with Paresh Rawal and Sunil Shetty inspired the producers to make sequels of the same film.

These days Akshay’s combination with Katrina Kaif had been accepted by the viewers. 2009 had been a very bad year for Akshay. Both his films Chandni Chowk to China and 8*10 Tasveer did very poor business.

Akshay Kumar is returning back with Katrina Kaif with the film Ajab Prem Ki Gazab Kahani very soon this year. Akshay desperately requires a hit very soon.

Viewers remember the success of actors for very short period. If Akshay fails to produce very soon, there is every possible chance of his losing the number one spot.